The older I get, the more I realize how much music is out there that I feel somewhat daunted by while practicing. And I'm referring to styles, not to literature. Yes, it's true that I've been practicing Rachmaninoff's 3rd piano concerto since I was 21 and have not mastered it yet, but I know that's only because I haven't put the time into it and one of these days I'll get it done. But something that fascinates me but also intimidates me a LOT is the thought of going off the page in a true sense of improvisation. Musicians tend to either improvise or read music, very few do both. But with my current trend of playing moving more towards trying to raise awareness of the benefits of music in therapy, I'm realizing how valuable a skill of truly being able to improvise would be.
I've done some small work in the past on improvisation to be able to work with simple tunes for children, but am now looking at how do do the more long term and complex work. For me, a solution seems to be at hand...working on transcripts of jazz masters where the notes are completely written out (albeit with the occasional mistake!) and also starting in on some of the works of Nikolai Kapustin, an amazing Ukrainian jazz composer and musician. His works are scored jazz in somewhat of a classical formation and should be perfect to get the "harmonic feel" in the hands to work with.
I think there's a solution out there to be tried for whatever level you're on and whatever your goals are, you just have to be willing to jump in and try out something a bit different!
|A random thought occurred to me today, I wondered if Abraham Lincoln ever played the piano? Upon researching it, it looks like neither he nor Mary ever really played the piano. But there was one in the White House while they were in residence that both Willie and Tad played. The piano was displayed in Chicago at the Chicago History Museum as part of the celebration of Lincoln's 200th birthday. It sure looks massive!|